Nelson Avidon in MOTHERLESS BROOKLYN with Edward Norton

Actor. Writer. Director.


646-214-2093

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Biography

Nelson Avidon in 3 scenes from EAST NEW YORK on CBS
Nelson Avidon and Jimmy Smits in East New York
Nelson Avidon and Jimmy Smits in East New York
Nelson Avidon as Chief Gurney in LIFE AFTER YOU
Nelson Avidon as Chief Gurney in LIFE AFTER YOU
Nelson Avidon at New York Theatre Workshop
Nelson Avidon at New York Theatre Workshop

Nelson Avidon played Don Jankowicz in the CBS-TV series EAST NEW YORK, with Jimmy Smits.  He can be seen onscreen with Edward Norton in MOTHERLESS BROOKLYN as the reporter Jacob Gleason, as Police Chief Gurney in LIFE AFTER YOU,  directed by Sarah Schwab, as Christopher Lloyd’s son in the feature film RERUN, directed by Alyssa Bennett, in the Sci-Fi drama 2030, and the comedy ALL YOU CAN EAT.  He plays the title character Q in the award-winning short film about a modern-day Don Quixote, and he’s in the films KEEPING THE FAITH, with Edward Norton and Ben Stiller, and in OUR ITALIAN HUSBAND, with Brooke Shields.

Off-Broadway he played Franklin Roosevelt in BETHUNE, Freddy in CHURCH OF ST. LUKE in the Fringe Festival, Dr. Fletcher in STRINGTOWN, a project for Anna Deavere Smith, and Henry in MUD, directed by Elena Araoz, for Boundless Theatre NYC. “Nelson Avidon’s Henry is an insidious force.” – thereviewshub.com

Nelson was seen on Theatre Row playing Ronald Reagan in IN BED WITH ROY COHN. “Nelson Avidon is mesmerizing as Ronald Reagan.” – Theatre Scene

Nelson Avidon is a Lifetime Member of The Actors Studio, where he played “Erie Smith” in HUGHIE, by Eugene O’Neill, and where he appeared in SALOME with Al Pacino, and in ETUDES with Faye Dunaway.

Also on the New York stage, Nelson was in THE BLAMELESS at The Lark, directed by GT Upchurch, in HALF-MOON BAY, directed by John Gould Rubin, and in EXISTING PRIVILEGE, directed by Wilson Milam. He was in CEASEFIRE, directed by Joe Cacaci, at Berkshire Playwright’s Lab.

Nelson has received high praise from The New York Times for several performances: the lead role in the premiere of Michael Weller’s GHOST ON FIRE, the lead in his own play GIRL IN HEAT, and for his work in PROGRESS, at The Hudson Guild Theatre. Nelson created and performed all twelve roles in ROMANCE 1929, and Chekhov would have loved him as Trigorin in THE SEAGULL, and as Solyony in THE THREE SISTERS.

Nelson was Associate Artistic Director of the Hypothetical Theatre Company from 1998-2000, where he directed several premieres.

Nelson Avidon is in several hilarious web series: THE BLUE MARBLE, LOLA DOES MANHATTAN, ALTERNATE SIDE, and I DO!

“Nelson Avidon is a terrific actor.” – Edward Norton
“I feel very strongly about Nelson Avidon’s lovely performance and the film Q itself.” – Melissa Leo (for Q)

Photos

Nelson as Police Chief Gurney
Nelson Avidon and Jimmy Smits in East New York
East New York Poster
Nelson Avidon as Police Chief Gurney in LIFE AFTER YOU
Nelson Avidon in Motherless Brooklyn with Edward Norton
Nelson Avidon
Nelson Avidon
Nelson Avidon
Nelson Avidon in CRYONICS
Nelson Avidon in Second Hand Smoke
Nelson Avidon in Second Hand Smoke home
Nelson Avidon in Q
Nelson Avidon in Q
Nelson Avidon in Hughie
Nelson Avidon in Ghost on Fire
Nelson Avidon
Nelson Avidon
Nelson Avidon
Nelson Avidon
Nelson Avidon
Nelson Avidon
Nelson Avidon at Baja Film Festival
Nelson Avidon as the title character in Q
Nelson Avidon as Jacob
Nelson Avidon as Father Brian in The Daft Penguin
Nelson Avidon and Harvey at Studio
Nelson Avidon in Motherless Brooklyn
Nelson Avidon in CERCEAU at Synchronicity Theatre
Nelson Avidon as Christopher Lloyd’s son in the feature RERUN
Nelson Avidon in Motherless Brooklyn with Edward Norton
Nelson Avidon
Nelson Avidon as Police Chief Gurney in LIFE AFTER YOU
Nelson Avidon with Alex Hazen Floyd in ST. LUKE
Nelson Avidon with Mark Borkowski in DECISION
Nelson Avidon as Gurney in LIFE AFTER YOU
Nelson Avidon and Jimmy Smits in East New York
East New York poster
Nelson Avidon with Jimmy Smits in East New York
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Reviews

“Nelson Avidon is mesmerizingly hysterical as Ronald Reagan.”
– Theatre Scene (for IN BED WITH ROY COHN)

“When Nelson Avidon’s droll Ronald Reagan is center stage it is an oasis
amid the frenzied activities.” – Theater.com

“Nelson Avidon gives a first-rate performance; he is haunting.”
– NEW YORK TIMES (for GHOST ON FIRE)

“Nelson Avidon is a standout in an excellent cast.”
– NEW YORK TIMES (for PROGRESS)

“Avidon’s transformation is extraordinary.”
– BACKSTAGE (for GIRL IN HEAT)

“Avidon gives a brilliant performance.”
– SHOW BUSINESS (for GIRL IN HEAT)

“Nelson Avidon is a terrific actor.” – Edward Norton

“Avidon is a major talent.” – Walter Anderson

“Very funny. Mr. Avidon, who has a glint in his eye and a slightly
demented grin reminiscent of the French actor Fernandel,
shows the fear inside the tightly wound Joseph.”
– NEW YORK TIMES (for GIRL IN HEAT)

“I feel very strongly about Nelson Avidon’s lovely performance and the film Q itself.”
– Melissa Leo (for Q)

As Writer

A lawyer. A secretary. A late night at the office.
GIRL IN HEAT
The Explosive New Adult Drama by Nelson Avidon

Directed by Robert Walden
With Cheryl Leibert and Nelson Avidon

Set Design: Maya Kaplun
Lighting: Hillery Makatura
Press: Ron Lasko of Spin Cycle

“A fascinating play. Loved the sexuality and the humor. Modern Strindberg.” — Michael Cristofer

“Nelson Avidon is a terrific actor and ‘Girl in Heat’ provides him with a breakout role. This is an edgy, smart, challenging play.”
— Edward Norton

January 26th – February 19th, 2006
The Michael Weller Theatre — 311 West 43rd Street

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Reviews for “Girl in Heat”

“Very funny. He’s a randy married lawyer with ideas. She’s a kittenish office temp with an agenda. It’s a slow night at the firm on a Friday in August.
Girl in Heat is about that really familiar couple, vulnerability and trust. Mr. Avidon, who has a glint in his eye and a slightly demented, toothy grin reminiscent of the French actor Fernandel, shows the fear inside the tightly wound Joseph. Ms. Leibert, with the more difficult part, makes Marilyn’s self-revelation convincing.” (The New York Times)
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